filmology

190: According to Marc Soriano, secretary editor of the institute's review, “Before filmology, one was restricted to verifying a basic truth, that the projection of a film affected the audience. As far as how and why, that was another question. It was thus this ‘how and why’ that the nascent filmology tackled.” 198: This problem of the film spectator, which we have just begun to address, was already at the center of the filmology movement's debates during the 1950s.